We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

Twelve Fantasias For Violin

TWV 40:14 - 40:25

INSTRUMENT GROUP: Violine
KOMPONIST: Georg Philipp Telemann
VERLAG: Bärenreiter-Verlag
PRODUKTFORMAT: Buch
Georg Philipp Telemann (1681 - 1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student, these pieces are genuine examples of Baroque music displaying an originaldevotion to music the effect of which can still be felt today. The 12 Fantasias
€ 11,50
inkl. MwSt.
Special order Geringer Lagerbestand Auf Lager
Usually dispatched within 24 hours
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Spezifikationen
Subtitle TWV 40:14 - 40:25
Instrument Group Violine
Komponist Georg Philipp Telemann
Verlag Bärenreiter-Verlag
Instrumentierung Violine
Produktformat Buch
Style Baroque
ISMN 9790006428243
Seitenzahl 27
No. BA2972
Beschreibung

Georg Philipp Telemann (1681 - 1767) paid particular attention to the field of chamber music without bass. Intended for the amateur or student, these pieces are genuine examples of Baroque music displaying an originaldevotion to music the effect of which can still be felt today.

The 12 Fantasias for Violin without Bass, 1735, formally display a cyclic construction with numerous variants. Elements of the sonata, the concerto or the suiteare taken up and expertly contrasted with one another. The richly developed part writing ensures full use of the playing possibilities of the instrument.

About Bärenreiter Urtext:

In the international musicworld“Bärenreiter Urtext” is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as wellas musicians take all available sources into account, thus guaranteeing an authentic musical text which represents the latest in musicological research.

For Bärenreiter, “Urtext” is more than just a label– it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research, enabling musicians to get as close to the composer’s intentionsas the surviving sources will allow. There are no arbitrary editorial additions, and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

    Laden
    Laden